A ripple line for a military drill team performance is a sequential movement where actions occur in a wave-like (fast or slow, smooth or sharp) progression rather than simultaneously.
Too many ripple lines are used to take up time in an exhibition drill routine. It should be used as another tool in your box for creating a sequence highlight the team. A well-executed ripple can create audience engagement by adding dynamic motion, emphasizing timing, and showcasing precision.
In this article, I show you how to refine and enhance an effective ripple line. Many instructors and cadets need this information.
1. Establish Clear Timing & Pacing
- Define the Speed: Decide whether the ripple will be fast (snapping like dominoes) or slow (smooth wave-like effect).
- Consistent Intervals : Use a set count (e.g., each driller moves every 0.5 or 1 second). Avoid irregular pacing.
- Metronomic Precision: Ensure each member initiates movement at the exact moment dictated by the ripple timing.
2. Choose the Right Formation
- Straight Line: Best for rifle spins, arm movements, or stepping ripples.
- Diagonal or V-Shaped: Creates a more dramatic visual effect.
- Circular Ripples: Movement expands outward (from the center) or collapses inward for a unique look.
- Staggered Rows: Each row (squad/rank) executes the ripple at a delay, creating a cascading wave effect.
3. Use Contrast to Enhance Impact
- Static: If one group or the rest of the team is stationary while another group or individual executes the ripple, the motion stands out more.
- Dynamic: Multiple ripples happening simultaneously.
- Sharp Movements: Snapping head turns, body movement, or rifle work contrast well against stillness.
- Height Variations: If possible, use standing vs. kneeling or low vs. high rifle tosses to create visual depth.
4. Layer Multiple Ripples for Complexity
- Opposite Direction Ripples: Start the ripple from both ends moving toward the center.
- Multi-Level Ripples: Upper body (head snap, arm raise) ripples first, followed by lower body (step, stomp).
- Delayed Secondary Ripples: Start with a slow movement and add a faster whip ripple right after the first for a fluid effect.
5. Integrate with Other Movement
- Weapon Spins or Tosses: A ripple where rifles spin in sequence is visually striking. Simultaneous spins can enhance the line at the beginning, in the middle, or at the end of the sequence.
- Mirrored Movement: Executing rippling left and right face adds variation.
- Step-Based Ripples: A traveling step ripple (e.g., marching in place before moving forward) can add depth.
6. Train for Precision & Execution
- Silent Rehearsals: Drill without vocal commands to ensure visual cue discipline.
- Use a Click Track: A metronome can keep timing exact.
- Slow First, Speed Up Gradually: Start at half-speed, then build to performance tempo.
- Drill Synchronization: Members should train their peripheral vision to anticipate when their turn is next. Practice, practice, practice!
7. End with a Synchronized Snap
- Sharp Conclusion: All members freeze at once for a dramatic effect.
- Final Unison Move: After the ripple, a unified movement (stomp, salute, etc.) reinforces cohesion.
Formations and Ripple Sequences
Any formation can work with a ripple.
- Straight Line:
- Vertical Single: Perpendicular to the audience. This can work very well for those in the center of the audience and becomes a bit less effective as the viewing angle increases.
- Vertical Double: Similar to the single and has the same principles, this is called a “Cordon”.
- Horizontal: Parallel to the audience, called a “Company Front”. The Marine Corps’ Silent Drill Platoon calls it the “Long Line”. This orientation works extremely well for just about any type of movement.
- Curve or V-Shape: can be more dynamic for audience viewing.
- Block Formation: This is what the standard platoon/flight formation is called. There is no need to keep squad leaders always leading, ripples can travel in any single or multiple direction.
- Spacing: should be consistent for maximum impact.
Beginning Level Ripple Example:
This ripple sequence will incorporate arms, hands, heads, feet, and legs (add equipment: rifle, swing flag, etc.) in a progressive and visually engaging manner. The sequence builds in complexity and ends with a synchronized snap for maximum effect.
Each movement starts from one end of the line and progresses to the other at one count per person unless otherwise noted.
- Head Turn (Slow or Snap)
- Starting from one end, each driller turns their head 90° in a wave-like slow motion (left or right).
- Once the last person completes the movement, all snap back to the front together.
- Hand Raise (Precision)
- Each driller raises their right hand to chest level in sequence. Palm towards chest at center. Touch chest.
- Arm Extension (Sharp and Angular)
- Each driller extends their right arm outward at a 45° angle, palm-down, in sequence.
- As soon as the last person completes, they all snap their arms back to their sides at once.
- Leg Lift (Knee Raise)
- Each driller lifts their right leg, thigh horizontal, in ripple order.
- When the last person lifts their leg, they all stomp down together while taking a step forward.
- With feet separated, the team now executes a sequential Left Face and snap the right foot into the left creating a traveling ripple of sound (Auditory Cue).
- Full-Body Coordination (Combined Ripple)
- The first driller snaps head, extends arm, lifts leg, and stomps in one fluid motion.
- Each following driller executes the full sequence in ripple order.
- Final Snap: All drillers snap to attention at the same time after the last movement.
- Closing Synchronized Move:
- After the ripple sequence, all drillers snap into a final power pose (e.g., salutes and weapon hold).
- End with a loud stomp or rifle slap/butt slam to reinforce precision and unity.
Enhance Impact:
- Use tempo contrast: Start with a slow ripple and progressively speed up.
- Silent, Quiet, and Loud Movements: Mix silent movements (head turns, arm extensions) with impactful sounds (stomps and slaps).
- Double Ripples: Send the ripple one way and send another immediately back.
- Layered Ripple: Have the front row ripple first, followed by a second row for a cascading effect.
- Layered Movement: Working feet, hands, arms, and head simultaneously for each individual.
- Inside-Out vs. Outside-In: movement working both directions simultaneously.